More pressing of words, less booking of faces.
This is an update to an earlier post about my beloved E-series Squier Strat from 198something. It might be of use to you if you are thinking of modding or rehabbing a Stratty guitar.
Since that post, I’ve done the following:
- Started playing in a band called “Pink Flamingos” (I KNOW!) in which I do a lot of “lead” guitaring using fairly trad-sounding clean sounds. I am NOT trying to make this thing sound like a Tele, but I want Tele-ish elements to the sound. And lots of bonk.
- Put in a Fender Super Switch, wired like this:
- 1 – Bridge only
- 2 – Bridge and Middle
- 3 – Bridge and Neck
- 4 – Middle and Neck
- 5 – Neck only
This all worked out really well. Lots of big warm bonk in the 2 position, fills out and gets wider in the 3 position, and still that lovely Stratty-Strat jangle in the 4 position. I use the bridge alone VERY rarely, and never use the neck alone.
As you’ll find with most kooky single-coil experiments in their raw state, I DID have to deal with a bit of noise. To a large extent, this is just a fact of life with some single-coils. YES! I AM AWARE OF VARIOUS NOISELESS OPTIONS! I even have some in other guitars. But for THIS guitar, and the pickups I have decided to use, noise is part of the fun.
But there ARE things you can do. Like some basic shielding. I thought I would share with you my example of why this is a good idea, and how not to do it. For sciense.
I had 3/4 of a sheet of adhesive-backed copper foil floating around for a few years. It bounced around various shelves and boxes so much that the adhesive had pretty much kinda given up in a lot of places, and the edges had been dinged, ripped and folded. It was way too shot to use on someone else’s guitar, which makes it just the kind of thing I would use on my own guitar.
On Thursday, I had about 45 minutes before Pink Flamingos rehearsal, which seemed like EXACTLY enough time to do the shielding on the Squier if nothing went wrong. To ensure that something WOULD go wrong, I didn’t make sure I had all the tools I would need, grabbed the guitar, and ran to my work bench.
I picked up the amp I forgot I had opened up on my work bench and carefully stacked it on top of another amp, on top of a wobbly storage container, so that I would always be distracted by the fear it would fall over while I was working. Can’t stress how helpful this step is. If you want to make your task more exciting, MAKE SURE YOUR WORK AREA IS AN IMMINENT DISASTER!
I slacked off the strings, then decided I should just remove and change them, then decided to just slack them off, then undid them from the tuners but didn’t use a piece of tape or Velcro to hold them in place, so that they would be sure to tangle.
I removed all the screws from the pickguard and actually put them all in a container. Crazy.
Here’s a nice picture of the guitar all opened up. You can click on it if you want to see it more biggerer:
This next bit is most useful. First, I didn’t make sure I had my shears or even a pair of scissors in the room. That way, I could cut the foil by either snipping teeny bits with the end of my wire strippers or biting it and then tearing it unevenly with my hands. If you find these methods too accurate, make sure that you hurry while doing them.
DON’T MEASURE ANYTHING! Just slap the foil down and start pressing it in randomly. Then, when you discover that things are in the wrong place, just lift it up and move it a lot. Not only will this put lots of random folds and creases in your foil, it will also pull off any adhesive it had left on it.
Speaking of adhesive, for goodness sake don’t bother to reach across the bench and grab any of the adhesives you have there. Just keep slogging away with the wrong tools!
The torn edges of copper foil can be quite sharp. But I’m pretty sure that’s OK. Don’t worry about gloves.
Swearing is a great time-saver!
In what seemed like no time at all, but was actually about 15 minutes after the guys in the band showed up, I had the foil properly in place, and was ready to put the guitar back together.
Here’s a picture with most of the shielding in place:
Just to make life interesting, I put on a fresh set of strings, because how could that be a problem right before you play?
All kidding aside, my point here is DO THE PREP WORK! This job SHOULD have been fast, and the old foil shouldn’t have been a problem, but by trying to hurry before I started, I ended up taking longer and having to do things about three times. Also, it REALLY hurt to play at rehearsal, and I messed my hands up for a gig tonight.
The shielding itself has worked out quite well. You can’t see it in the picture, but I just soldered a wire from the ground of the guitar to the foil. It’s probably never going to be a noiseless guitar, but it’s about 40% quieter than it was, and certainly not a problem when playing live.
And if you stretch them in properly, new strings aren’t a problem either.